Considering Shaikh Sultan Al Qassemi’s statement, “Culture is our weapon” (الثقافة هيَ سلاحنا), alongside the deeply rooted Palestinian belief that “Existence is Resistance,” how does the act of collecting art with Palestinian themes contribute to the narrative of resilience?

I believe that many of us don’t fully recognize the power that art has in shaping public knowledge and awareness, especially of Palestinian art. Although there is disposable income in our region, art often isn’t a priority for spending—it’s not in the foreground, or even the background. However, this exhibition is a powerful example of how private collections can add deeper meaning and dialogue. When people see these pieces, they feel moved; they realize the power of art in our spaces. Art doesn’t just offer a connection to the artist; it tells our history, our stories as Palestinians, and gives us a sense of humanity.

Art is not only for Western audiences. Growing up, we’re taught about Van Gogh, Picasso, and Warhol, whose work defines global art history. But as Arabs, we have our own rich artistic legacy. Some of the most prominent art schools were in Egypt, and there were groundbreaking movements in Lebanon, Syria, Iraq, Palestine, and the Gulf. It’s an extensive and valuable history that is, unfortunately, not widely known due to a lack of emphasis and exposure. By collecting and displaying Palestinian art, whether in our homes or in public spaces, we keep this cultural identity alive and create dialogues that preserve our heritage.

Private collections play a crucial role in making art accessible to the public. Artworks from various collections, like those in this exhibition, have been loaned to add layers of cultural dialogue. Artworks don’t only have to stay behind closed doors. Collectors like Sheikh Sultan Al Qassemi are leading by example, loaning his collection to curators worldwide. For instance, the artwork by Laila Shawa—a cactus symbolizing resilience—will soon be part of Made Present: Biographies of Artworks Defying the Ongoing Nakba, opening this week at Alserkal Avenue and curated by Faris Shomali and Zaina Zarour.

This is a testament to the idea that existence is resistance, and art is one of our most powerful tools in this effort.